Little girl, do you know who I mean?
Pretty soon she'll be seventeen
From the moment when I first laid eyes on you
All alone, on the edge of seventeen
She's nearly twenty and so very old
She's twenty years of snow
Twenty years of strangers looking into each other's eyes
The world's got me dizzy again
You'd think after twenty two years I'd be used to the spin
Thursday, July 14, 2011
Wednesday, June 8, 2011
three more poems
Degrees of Certainty
if you’d studied nursing, you’d be at work by now
not attending a lecture on an abstract noun
studying with a degree of uncertainty
certainly
the work would be hard, the pay low
(patients require much patience, according to medical shows)
but at least you’d have the Degree
caring is practically a universal language
unlike the philosophical abstractions which
you can never claim to understand with certainty
certainly
you’d have to work the night shift
but your husband could tell the children you’re a witch
and they’d laugh and say “she’s not!” while secretly believing it, to a degree
but it does no good to imagine when
decisions made upon a whim
commit you to a Degree of Uncertainty
About a ring
I bought a ring to replace the one I lost
now my finger feels complete
if only I could say the same
Northern Territory Intervention
Because of the intervention
the town was filled with them.
They were camping in the Todd
taking advantage of its dry sandy bed
(we would later see their campfires
as we drove back from a local restaurant).
But during the day they simply
leaned against trees shops churches
sat on grass steps pavement.
It was meant to be a holiday.
Two weeks away.
Learning about the red centre.
Hands on. Adventurous.
But first – tired from the
flight – we found some
local markets and wandered around.
Because of the intervention
it was hard to look at them.
I wanted to say something,
let them know I was on their side.
“I am ideologically opposed.”
But I was awed by the
insufficiency of my words –
my own ignorance – my political mindset,
so divorced from the reality of their lives.
Because of the intervention
I forced myself to look at them.
I made eye contact with an old man.
He was leaning against a tree,
watching the busy market.
I made eye contact, but he didn’t.
He looked through me
but in his eyes I saw a landscape,
and I moved on hurriedly
unsettled by his stillness
so incongruous with my own
fast paced world.
It didn’t last, but for a second
I understood.
And I mourned for the
souls that were left behind
when we conquered this land.
Tuesday, June 7, 2011
three poems
Lawyer
my father
wearing a suit of
grease
in the bonnet
of his car
patiently polishing
the space where
the engine should be
my grandfather
in his chair
my father
wearing a suit of
grease
sitting
cross leggedin the bonnet
of his car
patiently polishing
the space where
the engine should be
Dementia
my grandfather
in his chair
resting his eyes
surrounded by family
even though
there's no one there
Reprise
my sister
singing in the
bathroom
greeting the morning
with music full of
words; joy
ful of sorrow
Saturday, April 30, 2011
goalposts
I was thinking the other day about the last time I made a goal and fulfilled it. I'm not a very goal oriented person, usually. And when I do make goals they're usually halfhearted and I don't end up doing much about them. In year 12 I set myself the goal of getting a good enough score to get into law. I didn't particularly want to do law, I just thought it would be a good way to motivate myself. Anyway, I didn't get the score, but I wrote a letter to the law faculty telling them how lucky they'd be to have me and got accepted from that. And then I decided I didn't want to do law at all. So really, the whole setting a goal thing was pretty much a waste of time.
But for some reason, I remembered yesterday the last time I fulfilled a goal. I was about 9 or 10 years old, and I played the recorder in an ensemble, and I set myself the goal of getting into the highest level recorder ensemble at my music school by the time I was 12. And I did it. Not that it really required much effort on my part (in fact I'd forgotten about the goal altogether and only rememberd it later), but since it's the last goal I can remember fulfilling I'll just let that bit slide.
I don't have any goals at the moment. Well, if I do they're very short term ones. For example, my goal tonight is to write another section in the essay I'm working on. And even then, I may just end up watching a few more episodes of Buffy. Whenever she has goals, they're usually along the lines of 'stop the world from ending'. That'd probably be a better motivation than 'hand in essay on time or lose 10% per day'.
Ah Buffy, so much anguish.
But for some reason, I remembered yesterday the last time I fulfilled a goal. I was about 9 or 10 years old, and I played the recorder in an ensemble, and I set myself the goal of getting into the highest level recorder ensemble at my music school by the time I was 12. And I did it. Not that it really required much effort on my part (in fact I'd forgotten about the goal altogether and only rememberd it later), but since it's the last goal I can remember fulfilling I'll just let that bit slide.
I don't have any goals at the moment. Well, if I do they're very short term ones. For example, my goal tonight is to write another section in the essay I'm working on. And even then, I may just end up watching a few more episodes of Buffy. Whenever she has goals, they're usually along the lines of 'stop the world from ending'. That'd probably be a better motivation than 'hand in essay on time or lose 10% per day'.

Sunday, March 6, 2011
poetic justice
I'm taking a class in creative writing this semester. I write a fair bit, on and off, but I've never studied it before. Also, it's a poetry subject. Which I've never written. Ever. Sometimes I write prose which I feel is quite poetic, but it's not poetry. So I'm a little nervous.
I do write songs, though, which is a bit like poetry. And over the past year or so my grandfather has been a little obsessed with figuring out the difference between poetry and lyrics. (And by obsessed, I mean that he's mentioned it to me every time I've seen him, which isn't that often since I live in a different city.) But it sort of got me thinking - what is the difference? The first thing that comes to mind is that it's easy to get away with shit lyrics in a song, because you've got the music to distract the listener. You don't have that luxury in poetry. The words sit starkly on the page. They have to speak for themselves. In a song, you can set the mood with a pretty accompaniment, or link unrelated thoughts together with a catchy riff. You can also repeat words or phrases over and over to go with the music, which can be a good or a bad thing. It can be mediative, or it can be lazy. I suppose you can actually do that with poetry too, but probably not a whole chorus - just a line or a word or something. Also there's no standard length for poetry, not like the 3minute song, so the incentive to repeat things just for the sake of it isn't there.
Anyway, in my first 'workshop' (Creative Writing's answer to the tutorial) last week, we were discussing what makes a poem a poem, instead of just a collection of words on a page. And I had this brainwave of comparing poetry to modern art. Like, what makes a red square on a page art, and not just some shit I could've done myself. (This afternoon I discovered that my 'brainwave' was almost exactly the same as a comment in the required reading for the week, which I failed to do in advance. I'm still claiming it as my own, though.) I didn't really come up with an answer at the time, but I've been thinking about it a lot and I think that what makes the red square on a white canvas 'art', despite the fact that I could've painted it, is the fact that I didn't. I didn't think of painting a red square on a white canvas. No one did. Until someone did. And even though it isn't technically (technique-ly?) very difficult, when it was created it was conceptually new. And that's what makes it art.
Someone else (or maybe the same guy, don't remember) in the reading this week said that 'every time you write something and call it a poem, you answer the question "what is poetry?"'. Which is what I've been doing this afternoon. Trying to write a poem. I'm not sure if it's any good yet. It's definately not finished. But I'm giving it a crack.
I do write songs, though, which is a bit like poetry. And over the past year or so my grandfather has been a little obsessed with figuring out the difference between poetry and lyrics. (And by obsessed, I mean that he's mentioned it to me every time I've seen him, which isn't that often since I live in a different city.) But it sort of got me thinking - what is the difference? The first thing that comes to mind is that it's easy to get away with shit lyrics in a song, because you've got the music to distract the listener. You don't have that luxury in poetry. The words sit starkly on the page. They have to speak for themselves. In a song, you can set the mood with a pretty accompaniment, or link unrelated thoughts together with a catchy riff. You can also repeat words or phrases over and over to go with the music, which can be a good or a bad thing. It can be mediative, or it can be lazy. I suppose you can actually do that with poetry too, but probably not a whole chorus - just a line or a word or something. Also there's no standard length for poetry, not like the 3minute song, so the incentive to repeat things just for the sake of it isn't there.
Anyway, in my first 'workshop' (Creative Writing's answer to the tutorial) last week, we were discussing what makes a poem a poem, instead of just a collection of words on a page. And I had this brainwave of comparing poetry to modern art. Like, what makes a red square on a page art, and not just some shit I could've done myself. (This afternoon I discovered that my 'brainwave' was almost exactly the same as a comment in the required reading for the week, which I failed to do in advance. I'm still claiming it as my own, though.) I didn't really come up with an answer at the time, but I've been thinking about it a lot and I think that what makes the red square on a white canvas 'art', despite the fact that I could've painted it, is the fact that I didn't. I didn't think of painting a red square on a white canvas. No one did. Until someone did. And even though it isn't technically (technique-ly?) very difficult, when it was created it was conceptually new. And that's what makes it art.
Someone else (or maybe the same guy, don't remember) in the reading this week said that 'every time you write something and call it a poem, you answer the question "what is poetry?"'. Which is what I've been doing this afternoon. Trying to write a poem. I'm not sure if it's any good yet. It's definately not finished. But I'm giving it a crack.
Saturday, February 5, 2011
op shopping
The other day I went op shopping for the first time in ages. Actually, that's not true - I recently bought a whole lot of furniture from op shops for my bedroom. But this was the first time I've been op shopping for clothes in awhile.
While I was in the Women's Tops - Sleeveless section I overheard a girl complaining to her friends that she could never find anything good at op shops. And I thought of the advice I'd give her if she asked me. But she didn't ask me, so I'm posting it here.
Look for colours you like. Op shops don't display things in attractive ways like regular shops do, so you have to try harder to spend your money. Searching for colours you like to wear is a good way to start.
In hindsight, it would have been pretty random if that girl had asked me for advice on op shopping. Nonetheless, I was ready to answer her questions if she chose to direct them to me, as I have demonstrated above.
* As a post script, I should probably add that it's important to note that there are certain things you can't get at op shops (and not just underwear). Nice, plain, simple tops in classic colours are really hard to find because no one ever throws them out, they just wear them til they fall apart. And yep. That's all my advice. In case anyone's interested.
While I was in the Women's Tops - Sleeveless section I overheard a girl complaining to her friends that she could never find anything good at op shops. And I thought of the advice I'd give her if she asked me. But she didn't ask me, so I'm posting it here.
Look for colours you like. Op shops don't display things in attractive ways like regular shops do, so you have to try harder to spend your money. Searching for colours you like to wear is a good way to start.
- Be creative - don't just view the clothes as they are, think about what you could wear them with, or how you could alter them to make them more attractive.
- Try stuff on. A lot of clothes in op shops have weird styles, so it's hard to know if they'll look any good til you've tried them on.
- Be patient, and go often. It's the only way to find the best stuff.
In hindsight, it would have been pretty random if that girl had asked me for advice on op shopping. Nonetheless, I was ready to answer her questions if she chose to direct them to me, as I have demonstrated above.
* As a post script, I should probably add that it's important to note that there are certain things you can't get at op shops (and not just underwear). Nice, plain, simple tops in classic colours are really hard to find because no one ever throws them out, they just wear them til they fall apart. And yep. That's all my advice. In case anyone's interested.
Saturday, November 27, 2010
a door to another world
My house has a new front door.
But let me explain.
My parents house got robbed a few months ago. Actually, 'robbed' is a bit too strong a word, cos nothing was taken. Someone got in through the front door, realised my mum was driving down the driveway, and made a speedy exit out the back. So my use of the verb 'to rob' is kind of misleading in this instance. Let's say they got 'broken into'. But I digress.
In response to this 'break in', my parents replaced all the locks. But it turns out that my ancient front door, while having a very sturdy lock, was not very sturdy itself and could easily be busted through. So they had to replace the whole door. When I heard about this on the phone, I was pretty disappointed. The key to our old front door was awesome - a big, gold, old fashioned looking thing. Like a key in a picture from a children's storybook. And I wasn't that pleased about having to give it up.
Despite the forewarning, I got a shock when I came home for the first time after that. It just didn't feel quite the same, entering my house through a different door. And it got me thinking about the symbolic nature of doors. They symbolise security ["behind locked doors"], opportunity ["one door closes, another one opens"], and refuge ["wolves at the door"]. They designate the spaces in our lives, and they allow us to move between them. And they're a good place to hang out during an earthquake, apparently.
I'm getting used to the new front door. I've stopped lifting my foot a little too high when I step over the threshold. The smell of varnish is slowly fading from the wood (I still notice it, though). But I haven't taken the old key off my key ring. To be honest, I'm not sure when I will. Is it "the key to my childhood", perhaps? I think that's taking the symbolism a little too far. Mostly, I just like the way it looks.
But let me explain.
My parents house got robbed a few months ago. Actually, 'robbed' is a bit too strong a word, cos nothing was taken. Someone got in through the front door, realised my mum was driving down the driveway, and made a speedy exit out the back. So my use of the verb 'to rob' is kind of misleading in this instance. Let's say they got 'broken into'. But I digress.
In response to this 'break in', my parents replaced all the locks. But it turns out that my ancient front door, while having a very sturdy lock, was not very sturdy itself and could easily be busted through. So they had to replace the whole door. When I heard about this on the phone, I was pretty disappointed. The key to our old front door was awesome - a big, gold, old fashioned looking thing. Like a key in a picture from a children's storybook. And I wasn't that pleased about having to give it up.
Despite the forewarning, I got a shock when I came home for the first time after that. It just didn't feel quite the same, entering my house through a different door. And it got me thinking about the symbolic nature of doors. They symbolise security ["behind locked doors"], opportunity ["one door closes, another one opens"], and refuge ["wolves at the door"]. They designate the spaces in our lives, and they allow us to move between them. And they're a good place to hang out during an earthquake, apparently.
I'm getting used to the new front door. I've stopped lifting my foot a little too high when I step over the threshold. The smell of varnish is slowly fading from the wood (I still notice it, though). But I haven't taken the old key off my key ring. To be honest, I'm not sure when I will. Is it "the key to my childhood", perhaps? I think that's taking the symbolism a little too far. Mostly, I just like the way it looks.
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